inlustre monumentum est

~ An Antipodean View on Classical Greece, Rome & the Mediterranean.

inlustre monumentum est

Monthly Archives: November 2011

CFP: Transgressive Spaces in Classical Antiquity (Seattle, 2013)

30 Wednesday Nov 2011

Posted by scot mcphee in Greek Classics, Greek history, Latin Classics, Roman history

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call for papers, conference

CFP: Transgressive Spaces in Classical Antiquity, Lambda Classical Caucus
Panel, APA Seattle (2013)

Organizers:
Sarah Levin-Richardson, Rice University (slr@rice.edu)
Lauri Reitzammer, University of Colorado at Boulder
(reitzammer@colorado.edu)

What spaces in Greek and Roman antiquity were used for gender and sexual
transgression? By what means were everyday spaces transformed into
places that welcomed going beyond or challenging normative gender and
sexual expectations, and violating gender and sexual boundaries
considered fixed and non-negotiable? Is there a spatial topography for
individuals who embody non-normative gender roles or sexual practices?
In what ways could “deviant” spaces affect or “infect” daily life?

Dramatic spaces in Athens permitted the audience to step beyond the
constraints of reality into a realm where, for example, women could stop
a war by means of a sex-strike, or where male viewers could temporarily
feel emotions not commonly allowed. The wilds of Mt. Cithaeron, at least
as imagined by classical Athenians, encouraged ecstatic or enthused
participants to cross out of the constraints imposed by the human
sphere. The Roman amphitheater lauded male gladiators whose wounds
violated norms of impenetrable masculinity, and the triumphal route
found soldiers calling attention to the non-normative sexual deeds of
their generals.

This panel explores the roles of space-including ritual space, dramatic
space, landscapes, and architectural space-in gender and sexual
transgressions. This focus on spatial aspects is intended to bring the
analysis of transgression into the realm of lived experience, and to
investigate the influence of built and natural environments on daily
life and cultural practices.

We welcome papers that draw on various approaches, including literary,
socio-cultural, archaeological, art-historical, and theoretical. Please
send abstracts that follow the APA’s guidelines for individual abstracts
(http://apaclassics.org/index.php/annual_meeting/program_guide_details/t
ypes_of_submissions_and_related_instructions/) by email to Prof.
Deborah Kamen (dkamen@uw.edu), not to the panel organizers, by February
1, 2012. Please do not identify yourself anywhere in the abstract, as
submissions will be blind refereed.

How Gaddafi toppled a Roman emperor

29 Tuesday Nov 2011

Posted by scot mcphee in 20th century history, 21st century history, Archaeology, Reception, Roman history

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Libya, Septimius Severus

How Gaddafi toppled a Roman emperor | Culture | guardian.co.uk:

For years, said Walda, an antique bronze statue of the emperor had stood in Green Square, now Martyrs’ Square. “It witnessed all the major events there from the era of the kings, to the Italian period, to the Gaddafi period,” he said. In the late 1970s, as things got tougher under the dictator, the statue started to get used as a way of cloaking and depersonalising subversion. “Septimius Severus became the mouthpiece for opposition,” explained Walda. “People would ask each other, ‘What’s Septimius Severus saying today? So Gaddafi decided to topple him.” The statue was duly removed from Green Square.

(Via The Guardian.)

Alderney ruin found to be Roman fort

28 Monday Nov 2011

Posted by scot mcphee in Archaeology, Roman history

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Late Roman Empire, Roman Britain, Roman empire, Roman Gaul

BBC News – Alderney ruin found to be Roman fort:

An overgrown site on Alderney has been found to be one of the best-preserved Roman military structures in the world.

(Via BBC.)

Libya displays Roman treasures looted by Gaddafi troops | Reuters

28 Monday Nov 2011

Posted by scot mcphee in 21st century history, Archaeology

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Libya, stolen antiquities

Libya displays Roman treasures looted by Gaddafi troops | Reuters:

Forces loyal to Muammar Gaddafi stole ancient Roman artefacts when they fled Tripoli, bundled them into sacks and planned to sell them abroad, Libya’s new rulers said on Saturday as they displayed the haul for the first time since its recovery.

(Via Reuters.)

Counting Down from Marathon

28 Monday Nov 2011

Posted by scot mcphee in 21st century history, Greek history, Reception

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ancient dates, Athens, calendar, marathon

The Life of Antoninus Pius: Counting Down from Marathon:

On November 13, long distance runners from all over the world converged on Athens for the 29th Athens Classic Marathon. This old arithmetically-challenged emperor assumed that it was organized to celebrate the 2,500th anniversary (25th centenary) of the Battle of Marathon, fought in 490 BC. However, the official logo of the Association of International Marathons and Distance Races (pictured here) makes it clear that they considered 2010 to be the centenary. So who’s correct?

(Via The Life of Antoninus Pius.)

Kylie goes Classical

27 Sunday Nov 2011

Posted by scot mcphee in Reception

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popular culture

Kylie Minogue and the Classics:

Have you seen Kylie Minogue’s latest work? It is full of classical allusions.

(Via Love of History.)

CFP: Fakes, Forgeries & Issues of Authenticity in Classical Literature

27 Sunday Nov 2011

Posted by scot mcphee in Archaeology, Greek Classics, Greek history, Latin Classics, Post-classical history, Reception, Roman history

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call for papers, journal

CFP: Fakes, Forgeries & Issues of Authenticity in Classical Literature:

As we are planning a second publication with original contributions dealing with Fakes, Forgeries & Issues of Authenticity in Classical Literature, it would be a pleasure if you could make a contribution on this broad topic. Of particular, but by no means exclusive interest, would be papers in the following areas:

  • Epistolographic Fakes and Forgeries
  • Historiographic Fakes and Forgeries.
  • Authorship and authority.
  • Anonymity and Pseudonymity.
  • Forgery of Literary texts, documents.

The book will attempt to explore the various aspects implied by the subject in the fields of literature, critical theory, aesthetics, history, political science and linguistics. This volume aims to constitute an all-embracing outcome of recent research on these topics, thus reflecting the spirit of coherence and openness that has characterized our Research Group (Madrid and Oviedo) since its original formation.
 
Manuscripts (Word) should be submitted no later than December 31, 2011 via email.

Papers should not exceed 20 type-written double-spaced pages (or 6,000 words); endnotes, tables, figures included, should follow the MLA citation style. Book and journal titles should be italicized.
 
Publication of selected papers is planned for 2012.
For further information please contact us at martinez@uniovi.es
 

Javier Martínez ~ Filología Clásica
(Facultad de Filosofía y Letras)
Teniente Alfonso Martínez, s/n ~  E-33011 Oviedo

Fax: +34-985 104 591~Tlf. +34-985 104 693~ secret.: +34-985 104 590
http://www.unioviedo.es/martinez

(Via American Philological Association)

Capitoline wolf a fake ! (perhaps)

23 Wednesday Nov 2011

Posted by scot mcphee in Archaeology, Medieval history, Roman history

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Capitoline, fake antiquities

Ancient symbol of Rome – or a Middle Ages knock-off? – News – Art – The Independent:

The Capitoline Museums’ statue of the legendary she-wolf, which was said to have nourished Rome’s founders, Romulus and Remus on the banks of the River Tiber, was not crafted by the city’s ancestors, the Etruscans, but was made at least 1,000 years later in the Middle Ages, some experts now insist.

According to the museum’s website, the bronze she-wolf was made in the 5th or 6th century BC, with the figures of the twin brothers added separately in the early 1500s. But studies of the statue’s construction suggest otherwise. And if seeing the iconic work’s provenance thrown into doubt weren’t bad enough, the museum’s authorities have, with red faces, had to emend the statue’s description after complaints by German newspapers.

(Via The Independent.)

UnderstandingSociety: New tools for digital humanities

23 Wednesday Nov 2011

Posted by scot mcphee in Digital Classics, Software & Tools

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digital humanities

UnderstandingSociety: New tools for digital humanities:

One of the innovative papers I heard at the SSHA last week was a presentation by Harvard graduate student Ian Miller, with a paper called “Reading 500 Years of Chinese History at Once”. (In the end Ian apologized for only getting to the last 188 years of the Qing Dynasty.) I won’t mention the details, since Ian hasn’t yet published any of this work. But it was a genuinely fascinating exploration of emerging tools in the “digital humanities,” to apply topic analysis to a 188-year series of Imperial memoranda. Ian’s goal was to identify spikes of interest in topics such as rebels and bandits, and the work was really fascinating to hear about.

(Via UnderstandingSociety.)

Bright, unbearable reality: A Review of Alice Oswald, ‘Memorial’

22 Tuesday Nov 2011

Posted by scot mcphee in English Literature, Greek Classics, Reception

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Alice Oswald, epic, Iliad, lyric, poetry

As if it was June
A poppy being hammered by the rain
Sinks its head down
It’s exactly like that
When a man’s neck gives in
And the bronze calyx of his helmet
Sinks his head down

Poor ARCHEPTOLEMOS
Someone was there
And the next moment no one

Like fire with its loose hair flying rushes through the city
The look of unmasked light shocks everything to rubble
And flames howl through the gaps

Alice Oswald, 2011. Memorial. London: Faber and Faber.

This powerful adaption of Homer’s Iliad, subtitled an ‘Excavation of the Iliad’, consists essentially of a haunting list of the named men who die in it, in the order in which they die, each with perhaps some small biographical detail or story of how they die. Protesilaus is first; Hector is last. It is simultaneously a retelling, abridgement, and translation. Interspersed though these deaths are similes, always repeated. The similes Oswald says ‘are translations’, but of a irreverent kind, and that they are ‘openings through which to see what Homer was looking at’. Oswald stated aim is for ‘translucence rather than translation’. Her stated aim was to recover the enargeia of the poem, its ‘bright, unbearable reality’. And enargeia we certainly have in shocking abundance.

And PEDAEUS the unwanted one
The mistake of his father’s mistress
Felt the hot shock in his neck of Mege’s spear
Unswallowable sore throat of metal in his mouth
Right through his teeth
He died biting down on the spearhead

Like suddenly it thunders
And a stormwind rushes down
And roars into the sea’s ears
And the curves of many white-parched waves
Run this way and that

This poem is beautiful in its austere remembrance of the dead heroes of Homer’s epic, and beautiful in its sorrow. The severity in stripping away from Homer the background of the war, the feuds of Zeus and Hera, Athena and Ares and the other gods, the speeches, reviews, catalogues and endless epithets and leaving just the short and powerful stories of the men who are killed, the manner of their deaths, and a brief lyrical eulogy to their memory, is to my opinion a stroke of genius. Some men are sons, brothers, and husbands, some men die the brave death of a hero, clashing bronze that smashes through flesh, others just die, yet others have only their names recorded.

And ENIOPEUS with high hopes
Drove Hector into battle
Into the terrifying anti-world of the wounded
The wheels kept slewing over bodies
But he held tight he was good with horses
Until a spear shocked him in the nipple
He vanished backwards and hit the ground under their hooves
Clang his soul burst into the open

It is a wondrous thing to read. Oswald’s use of language is ascetic and sparing; yet the poem still mediates Homer’s intense beauty. Whether you’re a hardened Classical Historian, a passionate lover of Greek Epic or a confused neophyte daunted by the many lengthy and cumbersome English translations of the Iliad, I would heartily recommend that you read this short and stunningly beautiful poem.

I will leave you with one last sample;

Like the hawk of the hills the perfect killer
Easily outflies the clattering dove
She dips away but he follows he ripples
He hangs his black hooks over her
And snares her with a thin cry
In praise of her softness

There was a blue pool who loved her loneliness
Lay on her stones clear-eyed staring at trees
Her name was Abarbarea
A young man found her in the hills
He took one look at her shivering freshness
And stripped off his clothes
In the middle of his astonished sheep
He jumped off a rock right into her arms
And from that quick fling there were two children
PEDASUS and AESEPUS
They died at Troy on the same day

Here is its entry in Amazon UK’s catalogue. Here is a review in The Guardian, and another review in the (UK) Telegraph. This is a link to a half-hour long Guardian books podcast in part of which you can hear a snippet of Alice reading her poem (recommended to listen – it was hearing this podcast which prompted my purchase!). This is a link to the book on the publisher’s site.

(this review is based on a much simpler version I wrote on Amazon)

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